I’ve always liked circles. A favorite family story is the time I attacked my father’s business papers with the hole punch. And, of course, polka dots make me smile. So did the circle quilts in Leigh McDonald’s book. Leigh’s success with circles comes from cutting them with the Olfa circle cutter and using either a fusible-web or freezer-paper qppliqué technique. Her designs could be adapted to other construction methods; she just prefers those. In addition to basic technique instructions, the book includes eight different circle quilt projects and several pages of fanciful quilting designs to complete the quilt. I found her designs a lot of fun.
Here’s a link, if you’d like to add it to your library.
Scott Murkin says that a good contract lets you focus on the job at hand, and that’s true whether you are judging or teaching. Here’s an excerpt from Scott’s On Judging column in the Winter issue of The Professional Quilter.
The quilting world is by and large a friendly place, where most of us know each other, at least by reputation. Traditionally, much business was conducted with a simple handshake agreement, and that still sometimes works to this day, even if the handshake is done over the Internet (an e-shake?).
As the quilting world has grown exponentially the last few years, a contract or letter of agreement laying out the terms that were discussed in that handshake agreement becomes more and more important to protect both parties. A contract can range from a formal document to a simple letter of agreement that lays out the terms that were discussed. At the very least, the contract should be reviewed, signed and dated by both parties. It is a good idea to have a boilerplate template ready on your computer to fill in the blanks and send out. [See Scott's sample judging contract in PQ and feel free to adapt to your specific needs.]
The basic components of the contract are: the details of what, where and when; the responsibilities of the hiring organization; the responsibilities of the judge; contact information for all parties; and terms of cancellation. The contract begins with the defining of the parties and the basics of what is being agreed to between them. This should include the date, time and location of the judging, the judging system being used (for example elimination vs. point system), any other judges with whom you will be working, the approximate number of entries to be judged and any expectations for feedback or evaluation to the entrants. It also covers handling of fees and expenses. Once the terms are acceptable to all, identical copies of the contract should be signed and dated and kept on file by both parties. With the peace of mind provided by a written agreement, you will be better able to focus on the task at hand – judging the quilts.
You can read all of Scott’s column including his discussion of judging fees in the Winter issue of The Professional Quilter. This is a benefit of membership in the International Association of Professional Quilter. Read about all our benefits here and join today.
The International Association of Professional Quilters offers resources and networking opportunities for you to create a success from your quilting business. Learn about all the benefits of IAPQ membership here.
This terrific little collection of tips is broken into sections for the quilter as a student, tools, designing and working styles, stash savvy, techniques, quilting, finishing touches and show etiquette. You’ll find something to use or pass along. But the best advice, as Zena Thorp says, is “remember that it is YOUR quilt.” Here’s a link if you’d like to add it to your library.
The MP3 download and CD recording of The Quilt Judges’ Perspective teleclass hosted by Morna McEver Golletz and featuring NQA Certified Judges Jane Hall and Scott Murkin is now available to purchase. Learn what criteria judges use when judging a quilt show, the relationship between design and workmanship from the judge’s standpoint, how you can improve your chances at winning a prize or ribbon, how you can become a judge and more. This teleclass is geared to quilters interested in learning more about the judging process, either as a quilter or as a judge. Additional details are here.
The Summer issue is out and in the mail. I’ve heard from subscribers that it’s showing up in mailboxes. Here’s a peek at the cover:
Articles include a profile by Eileen Doughty with Alaska quit artist Linda Beach, tips for developing a blog as a marketing tool by Maria Peagler, a studio tour with longarm quilter Paula Rostkowski, guidelines for business recordkeeping by David Nagle, help with phrasing judging comments by Scott Murkin and a primer on understanding DPI for good digital printing by Gloria Hansen. We will have some excerpts in our ezine later this month.
